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Photo Credit: Jennie
Anne Benigas
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JUDY'S JOURNAL
February 2025
The project is called Writing the Prado,
and is funded by the Loewe Foundation, the charitable
arm of the Spanish fashion house. Nicholas
Casey, Visuals/The Prado as Authors Muse,
The New York Times Book Review, January 5,
2025.
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Dear Reader,
Heres a writers dream assignment: Accept an invitation
to go to Madrid and take up residence for several weeks in an
apartment overlooking the Prado. Then go to the museum and look
at art. You are there not to write but just look. Be inspired.
The Writing the Prado projects curators hope
that your inspiration will blossom into a piece of literature
a short story or perhaps a novel. My thought is that
despite their granting this extraordinary privilege to established
novelists, writers being who they are, other genres might creep
in. A poem perhaps, which would make it ekphrastic! How fantastic!
In Nicholas Caseys essay, we meet Irish writer John Banville,
who was one of the fortunate ones asked to be part of this experiment.
Imagine. Just finish breakfast and walk across the street to
spend the day looking at art in one of the most magnificent
museums in the world, with galleries filled-to-bursting with
paintings by Goya and Velazquez! After returning home, Banville
will set to creating a work of fiction using the museum
or its paintings as a point of departure. Narratives can
spring from the act of imagining a before and after of the scene
that is captured on canvas or board.
Being immersed inside a museum can be more dynamic than the
solitary exchange between viewer and artwork. Other visitors,
on their parallel journeys, may speak or gesture their ways
into your consciousness. There are scents and sounds, some maddingly
intrusive or sweetly evocative. You may strike up a conversation
with a guard after asking for directions to a particular artwork.
Beyond employment opportunities, what makes someone content
to spend hours each day on their feet surrounded by paintings
and sculptures? What are their stories? Do their experiences
relate to subjects captured on canvas? Are they captivated by
the agony of a crucifixion or the allure of a womans portrait?
Do they have favorite galleries? Why?
While select writers collect images and thoughts at the feet
of great art during their stay at the Prado, readers will end
up being the lucky ones.
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