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Photo Credit: Jennie
Anne Benigas
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JUDY'S JOURNAL
March 2024
Take in the image first without the influence of any
information.
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Stop, Look, and Think #18
Dear Readers,
This is the 18th blog in a series written to offer another
way of experiencing art. One of my artworks is below, followed
by a set of instructions.
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STOP, LOOK AND THINK before you scroll down
to read each section. Take in the image first without the
influence of any information.
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Here are a few facts: Title: If Joseph Cornell
5
size: 24 by 18, medium: collage on board, created
in 2023. This information may or may not verify or affect
your first response. Did you notice more details after learning
my title? Is there anything in what you see and/or the title
that clicks with your perceptions or emotions? Now that you
know a bit more, compare your thoughts and feelings to your
first response (image only).
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Heres the story: This collage is part of my current
series, If Joseph Cornell
, in which I credit
the renowned assemblage and collage artist for inspiring me
to cut up art tissue and issues of The English Garden,
creating new artworks layered over paintings I was ready to
bid farewell to. The whole series could be titled: If
Joseph Cornell could cut up magazines, so could I! (Please
see Judys Journal, 2023 May.) The reason I chose the
fifth in the series was to share the joy of accidents in artmaking.
First, I laid in torn pieces of art tissue over wet gel medium
to make larger background shapes on the board. While waiting
for it to dry, I turned to the pile of magazines and noticed
how one issue had several water features pictured in the magnificent
gardens. The ponds offered reflections of sky and nearby trees,
grasses, and flowers. As I cut and placed, I decided that
the large central reflection worked better sideways. Thats
when the fun began, as I let go of using colors and shapes
the way in which they were photographed. I cut, cut, cut,
and piles of images accumulated. Some I trimmed, but then
found the pile of trimmings were also interesting. Look carefully
at the water bird (duck? goose?) in the central sideways pond.
Its body is the scrap of a smaller distant pond, and its wing
is a view of a distant town. Most of the flowers are in beds
turned sideways or upside down. All in the service of an artwork
that speaks about reflections in nature. To say nothing of
the robed figure who drifted into the lower left-hand corner
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